jungle/breakcore legends deformer are back with another horror infused release: “the living dead deformed”. deformer is known for putting the shock into electronic music and pushing the horror experience to another level. during their shows they cut off limbs and intestines are thrown into the audience while the extreme music turns the crowd into raging freaks. “the living dead deformed” pays hommage to one of the biggest horrorfilm classics of all time: “night of the living dead” (1968) and its creators.
the record was produced before the unfortunate passing of george a. romero. out of respect, deformer chose put out the record as a non-profit, limited edition, numbered by hand, green coloured vinyl release. the amazing cover art is created by legendary visual artist graham humphreys (a nightmare on elm street, the evil dead, poltergeist).
“the living dead deformed” is dark, menacing and will again turn parties into moshpits. they won’t stay deaf!

before his debut studio full-length, dubbyman racked up a remarkable discography of dance singles and remixes. he has been away for a little while, but his new 10-tracker album is the perfect tool for him to make his anticipated return. -deep is dead- is a fascinating mix of organic and synthetic, past and present, smoothness and eclectic, darkness and brightness. the spanish producer has veered away from those dub-heavy and dark atmospheric deep stylings, and instead has ventured into much classic house and musically territory. almost all songs are soaked in warm chords, dreamy leads and gripping melodies. dubbyman also offers an immense and stunning roster of credits and guest musicians such as kuniyuki takahashi, leo gunn and george btp aka allstarr motomusic, just to mention a few.

frío y vacío is a band based in méxico city, formed in 2015 by the prolific angel kauff (vocals, guitar, synths, drum machine) and jon gil (bass, drum machine). angel also created his more synth orientated stockhaussen and isotropía projects, jon is also half of the identik fact project, the other half being his twin brother jeremy key who in turn is the guest vocalist in frío y vacío s song autodestrucción . what frío y vacío do is a reflection of their name, meaning cold and void . they have been influenced by different music genres, from post-punk and goth rock to cold wave and synth punk, all with a classic 80s sound. the lyrics are a consequence of kauff s personal experiences and feelings. the music, a maelstrom of fast rhythms, sharp guitars, thumping baselines, everything to create an oppressive atmosphere, charged with a high load of electrostatic power that is released in almost every song. pure, dark energy. note: limited to 265 hand numbered copies - comes with download code and lyrics insert

standard cover - no artwork / the original >chained to a dead camel< is a seminal track in techno history, and is still being championed by many djs worldwide. clouds have tuned their original to create three new, alternate works. perc completes the set with his own club-ready version.

strictly one copy per person.

dead serious is the debut studio album of american hip hop duo das efx, originally released in 1992. recording sessions for the album took place at firehouse studios in brooklyn, new york and at charlie marotta’s north shore soundworks studio in long island, new york. dead serious caused an immediate sensation upon its release. the album was a certified hit, peaking at 16 on the u.s. billboard 200 chart, topping the top r&b/hip-hop albums chart for five weeks. dead serious went platinum on the strength of the singles mic checka and the top 40 pop hit they want efx, by 1993. well-received upon its release, dead serious has since been regarded by music writers as a significant and influential album in hip hop. giving it a 4 out of 5-mic rating, the sources matty c compared the duos lyrical style to that of busta rhymes, treach, and epmd.

british left-field artist dead fader returns to parachute. the new lp, jenny 153, runs out across nine tracks and operates at the fertile juncture between classical and club music compositional structures, and examines the crossover points between the two disciplines.

john cohen aka dead fader first arrived on the label in 2016, with it works 1 - a brace of warping, high energy electronic music compositions that while largely unclassifiable in genre, maintain a gloriously vibrant, emotive sensibility that owes much to early idm excursions, and the more abstract tenets of the krautrock genre. that said - the artist cites anything from kanye west to bach and back again as informing the decidedly experimental and potentially confounding work - and his latest offering for the milan based label continues to riff on this open ended mesh of influence to great effect. the original material is buoyed by a formidable remix package, featuring downwards affiliate jk flesh - who turns in a caustic reinterpretation of fyi, roly porter of vexd and tri angle fame, who takes on raw food, and planet mus konx-om-pax, whos reimagining of life cycle closes out proceedings. its an admirable line up, in keeping with the aesthetic concerns of cohens excellent lp - and the chosen artists turn in respectful but wholly personal work - making for an excellent addition to growing parachute discography. parachuterecords.

dead cross ist eine neue band, bestehend aus mike patton (faith no more, fantomas, mr. bungle), dave lombardo (ex-slayer, misfits, suicidal tendencies), justin pearson (the locust, retox, head wound city) und michael crain (retox). gemeinsam liefern sie mit dem gleichnamigen debüt eines der sehnlichst erwarteten metal-alben des jahres ab. dass dead cross nicht in genre-konventionen verharren, dafür bürgen die protagonisten. hier eine coverversion des new wave-klassikers von bauhaus namens -bela lugosi s dead-, dort der gesang, der gerne mal virtuos die tonlagen wechselt. dennoch bleibt das klangbild von dead cross immer auf den punkt. die musik ist hoch-energetisch, streckenweise sehr dunkel gefärbt, die inhalte verarbeiten indirekt die aktuellen verwerfungen in politik und medien. lp mit glow-in-the-dark schriftzug in transparent / rot / schwarz und downloadcode inklusive!

der komponist bear mccreary arbeitet für hollywood-filme genauso wie für amerikanische tv-serien. zu seinen werken gehören scores zu -marvel s agents of s.h.i.e.l.d.- genauso wie die neuauflage von -battlestar galactica-. der soundtrack zum tv-hit -the walking dead- gehört zu seinen größten erfolgen, nicht zuletzt weil er alle staffeln der serie vertonte. zum ersten mal erscheint nun der score der erfolgs-serie überhaupt, wir haben die 2lp version in dieser ausstattung im angebot: gatefold-sleeve, 140g schweres mehrfarbiges vinyl, bedruckte inner-sleeves, liner notes des komponisten, fold-out-poster. wer also das gewisse post-apokalyptische gefühl entfachen will, bei dem die -walkers- gewissermaßen schon an der türe scharren, der ist mit diesem vinyl-set fürstlich bedient.

the original >chained to a dead camel< is a seminal track in techno history, and is still being championed by many djs worldwide. clouds have tuned their original to create three new, alternate works. perc completes the set with his own club-ready version.

the darkness at dawn ep channels a dystopian wild west from the astral plane, a blurred out trip into subdued euphoria, pitched amens, darkcore stabs and psychedelic blues drenched dub. released on digital and heavyweight (180g) black vinyl, shrink wrapped and housed in a full art reverse board sleeve featuring an original illustration by artist and label owner alex eveson (dead mans chest).

limited edition of 500 copies on transparent green vinyl plus poster.

the dead or alive classic from 1984 back on limited coloured 7 inch vinyl.

sehr nützlich, dämpft vibrationen, 1 paar (2 stück) hot leuchtet im dunklen

the debut album from phoebe bridgers.

billy green is dead is jehst’s first album of original material in 6 years, and will be released 16th june on his own label, ynr productions. the project is co-executive produced by beat butcha (rick ross, curren$y, jadakiss), features production from paul white (danny brown, open mike eagle) and jehst himself, plus guest vocals by eric biddines, strange u, confucius mc, mysterious rnb man ennio lion and more.

c joynes is a musician whose playing has consistently invoked a broad and shifting stream of inspirations.

50% deal

mute veröffentlicht zum release des sechsten albums >wixiw< des new yorker indie/experimental trios liars die beiden alben >drums not dead< und >they were wrong so we drowned< neu auf 180 gramm vinyl.
kurz nach dem release ihres hochgelobten zweitlings >they were wrong so we drowned< zog die band nach berlin um dort das 2006er album >drums not dead< aufzunehmen, ein weiteres konzeptalbum das mindestens genauso surreal klingt wie sein vorgänger. kurz nach der veröffentlichung erreichte >drums not dead< platz 6 auf pitchforks jahres-album-top-50.

4-track-remix-ep zum debütalbum von dead light (aka anna rose carter und ed hamilton) mit seinen entschleunigten klanglandschaften aus klassik, ambient, pop und electro-acoustic. die remixes stammen von luke abbott (border community), dem us-ambient/showgaze-musiker rafael anton irisarri (aka the sight below) aus seattle und dem italienischen neoklassik-künstler andrea belfi (float).
die vinyl ep erscheint inklusive downloadcode.

top-reissue der beiden legendären alben us-r&b/gospel-band the voices of east harlem: “the voices of east harlem” (1973), produziert von leroy hutson und curtis mayfield, und “can you feel it” (1974), produziert von leroy hutson. zwei definitive soul-klassiker auf zwei lps.

beautifully crafted, ancient futuristic rhythm textures in (micro)cosmic time signatures

right after we finished putting together our long sold out distant waves compilation back in 2014 we started working on volume ii.

bslk002 -london is dead- by jose macabra has just arrived. limited edition, n°80 c60 tapes. 60 minutes (split on two sides) of nonstop gloomy ambient-industrial masterwork crafted by the established london-based artist who has deep connections with the city s art scene.

dead rail is a soundshaping railroad soaked in fog and cough.
dead rail is the breath that transforms light into smoke, smoke into brain waves and brain waves into some anamorphic sound blend.
dead rail is a walk through an eyeburning beat and runs on mandibular tracks.
dead rail is the dark corner of a party where the tones are stagnant in a motionless dynamic.
dead rail is the suspended activity of synapses while earing is driving the other senses.
dead rail is the dying frequency in your ear.
dead rail is noise from within.

nice price deal !!! new mini-extract from the new krikor album, out on tiger sushi...

** vinyl only ** ray kandinski s much sought after jam could you (be mine) finally drops on vinyl via the e-beamz label! backed with 2 underground warehouse belters on the flip the tongue-in-cheek lo fi is dead and the balearic basement vibes

stuck in the depths of a dark alley, blocked by yet another breeze, hitting a stone wall, road sign ahead: dead end. impasse. “cul-de-sac”. hip-hop. the original, some would say, official music of the late 20th century bronx. some say it has endured it’s fair share of distractions, detractors and defectors. some say it has murdered itself, having been abandoned by its so-called best men, those who have gone off in other directions, or who have, simply, just beat-retired. yet, there are plenty of soldier monks still out there, prepared to sweat it out in the temple of machinery and mics. low cut honored this cause four years ago, with his mpc crafted minimalist version of ny minute and he’s back to ring the bells and unsheathe the samples!
the double vinyl release includes a download code.

seasick steves klassiker endlich wieder auf lp erhältlich!

‘fear eats the soul’ is the third release from sordid sound system on invisible inc. his previous two records ‘in a year of 13 moons’ and ‘lux exterior’ have been getting plays from the likes of andrew weatherall, manfredas, john talabot, idjut boys and thomas von party. describing ‘fear eats the soul’ as a concept ep made by four imaginary bands from detroit, new york, paris and munich, sordid sound system says: “i’m pissed off with passive aggressive shabby chic artisan boutiques besieging my studio and complaining about the noise, i’m pissed off with coked up yuppy hipsters in land rovers taking over my neighbourhood with fancy restaurants with names that sound like fucking law firms, i’m pissed off at the resurgence of the far right and creeping fascism, i’m pissed off with self sabotaging english and american voters and the neo liberal corporate elites that have pissed away opportunities and alienated them, i’m pissed off with modern recording technology creating a sea of homogenous unimaginative beige bullshit, and i’m really pissed off that my favourite drummer jaki leibezeit is dead, but apart from that it’s all good, enjoy the new record.”

ltd one sided 10 inch

repress 2016 , the arrangements are compiled by a selected group of producers focusing mainly on rhythms made for building. we wanted to merge the idea along side true innovators of modern architecture and the thought process it took for reinvention during those times.

makaton returns to the label with a new 4-track ep
full colour label sleeve to celebrate the 20th anniversary of this classic techno label !

rough ebm assault from russia. last ep by the kalingrad based artist, tragically passed away in september 2016.

patrick wade, better known as dead horse beats is a producer, singer and multi-instrumentalist living in montreal, canada. since the release of his first album in 2011, wade has garnered attention for his unique brand of hazy, rhythmic, soul-styled creations, and energetic live spectacles featuring a slough of live instrumentation, electronics and guest performers. after the release 2015 s acclaimed single people lp and a brief stint with london s black butter records, dhb partnered with brooklyn based bastard jazz recordings for his premiere vinyl pressing - the fall 2016 release of bad hopes ep. bad hopes is the culmination of a new, fully realized sonic direction for dead horse beats, inspired by the sounds of the montreal scene in which dhb is embedded, equal parts glittering r&b, and undeniable deep house inspired soundscapes, fusing fully on bad hopes, alongside friends and collaborators frase (vocals on she said) and jason simpkin (additional production and instrumentation throughout) dhb blends his voice and lyrics with bassy grooves, lush synths and sharp, angular percussion into a cohesive, rolling soundscape.

blind observatory coming up with yet another well-written space opera. a three-track universe that holds a reward for those who travel from the edge to its core.

nice price deal !!! the corestyle story continues... with forsaken is dead (known from his waking the tyrants device ep on corestyle last year, besides his various other productions for labels like meta4, industrial strength, six feet underground or hard kryptic) and cap (hard kryptic) we have two of the az hardcore junkies here. the a-side is represented by cap and starts with the title track this is not a war, a hard industrial uptempo pounder which is yet still atmospheric. the b-side offers 2 collaborations between cap and forsaken is dead. repeating patterns is rather techno-influenced whereas the second track, pulling strings (forsaken is dead remix) starts with a mystic intro and turns into a grooving and driving monster.

nice price deal !!! >dead lazers< is the second single to be taken from kap bambinos forthcoming third album >blacklist<. it is another slice of deranged noise pop from the bordeaux duo caroline martial and orion bouvier - all maddening melodies and propulsive head-nod rhythms. the release sees the original album version of the track complimented with a phenomenal remix package including french hip hop crew and former dmc technics world team champions birdy nam nam and kaps very own orion toying with his own production mastery to deliver a digital orchestra version of >dead lazers< under the name >warsaw orchestra<. there is also a brilliant bouncy trip remix by candie hank aka the genius german artist formerly puppetmastaz patric catani, and lastly up and coming producer/ remixer maton are all on hand to provide a succulent re-working of the single.

hi quality dbridge stuff

iconic rave anthems remixed by a well known rotterdam player. limited vinyl only copies.

nice price deal !!! jack of all trades musician jay shah b from normandy started his career as bassist in rock bands during the 90s. his rock culture was spiced up by hip hop and breakbeat at the beginning of the new millennium. as a fine producer he started to record bands and spent his time torturing sound, sampling stuff and scratching vinyl records. after a lot of time in the studio, in 2006 he released a abstract hip hop album recorded with his mate goliath, and then made a deal with kif records (birdy nam nam, jazz liberatorz, pepe bradock) under the name buzz burglarz. after two years in brussels, he is now back in paris with a pure electro ep >discopunk is dead<. meanwhile he is setting dance floors on fire all around the world with ecstatic solo dj sets, that could well make juan mclean, sebastian and others go green…

dead fader - john cohen is surely one of the most overlooked voices making electronic music today. his approach to making honest and emotive electronic music has pushed the boundaries in recent years and challenged so many concepts and traditions within the music industry and scenes. but also without loosing sight of a bigger picture and finding a balance between emotions, technology, politics and expression.

on his first release for berceuse heroique, rotterdam’s finest dj overdose meets one of the strongest producers of detroit, mr. ob ignitt. overdose creates the best soundtrack for a “march of the robots” scene with dead city. the mighty bounce of early dr. dre productions meets some nasty electro carnage. on sorry to disappoint you can hear the classic west coast electro sound of some of his older releases mixed with some funky sci-fi synth lines. then, ob ignitt takes this monster of a tune and creates one of the gnarliest house tunes of this year with a proper g funk bassline that will properly test your sound system on a good night.

coumltd001 is the first vinyl edition from coum records label. to start this limited the edition of 300 copies. dead sound & videohead are in charge of bar brawl ep. a side is composed with two powerful offbeat tracks with industrial reminiscenses. the b side is for remixes: the canadian duo orphx is the first one bringing 7 minutes of rude and savage techno. to close the release, the mythy spanish industrial group from the 80s esplendor geometrico, remakes *torn* to a noisy rhythm hypnotic track. the 180 gram vinyl ep contains an exclusive digital download which includes a bonus digital track.